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Other steps you can take to protect your children are: More information about the RTA Label and compatible services can be found here. Parental tools that are compatible with the RTA label will block access to this site. We use the "Restricted To Adults" (RTA) website label to better enable parental filtering. Protect your children from adult content and block access to this site by using parental controls. PARENTS, PLEASE BE ADVISED: If you are a parent, it is your responsibility to keep any age-restricted content from being displayed to your children or wards. Furthermore, you represent and warrant that you will not allow any minor access to this site or services. This website should only be accessed if you are at least 18 years old or of legal age to view such material in your local jurisdiction, whichever is greater. It was really wonderful.You are about to enter a website that contains explicit material (pornography). There was a furry bear wearing nothing but a leather jock. What I’ve been trying to do is build a community and give people a safe space to explore film.
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I run a queer film series through the Austin Film Society. You drive a mile outside the city and you see the pro-life billboards. You think of Austin as this big liberal bastion, but you’re still in Texas. What is it like to be a transgender person working in queer cinema in Texas these days? It’s a wonderful example of how sex and cinema can combine to create something honest. It’s about this swinging couple who have this game to see who can make it first with someone of the same sex from another couple. Radley Metzger’s “Score.” It’s an adaptation of the play by the great Jerry Douglas, a pioneering gay playwright, filmmaker and incredibly important historian. Is there an under-the-radar movie you’d recommend people watch during Pride? The genre was a crucial vehicle for gay ideas and imagery to make their way across the country. If you look at old issues of The Advocate from the ’70s, you see stills from gay porn and reviews of the films. The other thing that struck me was how connected these films and filmmakers were to mainstream gay culture. The films were made for very little money, but the theaters they played at were safe social spaces for people to watch movies, cruise and meet other people. People tend to think queer cinema began with New Queer Cinema, but adult films laid the groundwork. I don’t think people realize there’s this hidden history of queer filmmaking contained in adult films. What did you learn about the connection between pornography and mainstream gay cinema? Plays Itself” and it made me want to see more. I thought, if this one film exists, what else is out there? So I watched “Thundercrack!” and “L.A. It opened my eyes to this entire world I didn’t know about. How did you first become interested in gay pornography?Ī few years ago, my partner and I went to a screening of “Bijou,” and Wakefield Poole, the director, was there to introduce it. It’s undoubtedly a queer film that isn’t textually queer. “We’re All Going to the World’s Fair.” It’s about trans issues, but other people might not pick up on that.
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Is there a queer film out now that does that? They want to see performances, actors and personalities they’ve maybe never seen before, like Holly Woodlawn and Taylor Mead. I think people want to see more queer films, not just the same five movies over and over.
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To get people excited about history and look beyond the surface of queer cinema. What’s your goal as a queer-film historian? The interview has been edited and condensed. Purchell, who came out as a transgender woman just last November, recently talked about the state of queer cinema and what under-the-radar movie she’d recommend watching for Pride. “Sometimes I’m not sure how she finds things.” “Elizabeth is doing amazing curatorial work in identifying significant and lesser-known things that deserve to be elevated,” said Jenni Olson, a queer film historian and archivist.